About & Research

 

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My research interests include the history of material culture (namely, dress, jewellery and armour) in  England, Scotland and France during the sixteenth and seventeenth centuries, particularly in relation to constructions of gender, and the histories of garment production and consumerism. My work furthers methodological approaches and disciplinary perspectives in the field of dress and material culture studies, particularly in relation to object-based approaches and historical dress reconstruction, of which I’m a practitioner.

I am currently an Associate Lecturer in History at the University of Sydney. In 2018 I was a Study of Early Modern Women (SSEMW) Margaret Hannay Fellow at the Folger Shakespeare Library in Washington D.C., a David Walker Memorial Fellow at the Bodleian Libraries at the University of Oxford, and and a Pasold Research Fund Grant recipient.

I am also a Postdoctoral Research Associate at the University of Western Australia, working on Susan Broomhall, Carolyn James and Lisa Mansfield’s ARC funded project Gendering the Italian Wars. My role in the project examines the movement of elite fashions across Europe during this tumultuous period of the sixteenth century.

In January 2018 I completed my PhD at the University of Sydney Australia. My APA-funded thesis examined the production, materiality, consumption and discourses generated around stiffened female undergarments – bodies, busks, farthingales and bum rolls – in in England from 1560-1690. I am currently developing this into a monograph.

 

 

Internships

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September 2015 – December 2016
I’m was an intern with Worn Through, a blog about the social-cultural, academic, historical, and critical thoughts on dress, aimed at academics, museum professionals and fashion/design educators. My main roles are social Media management and content Contribution.

Museum Experience

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2012-2014
I have previously volunteered in the curatorial area of the Fashion and Textiles department at the Museum of Applied Arts & Sciences (formerly, Powerhouse Museum) in Sydney, and I also work on the Australian Dress Register, a collaborative project that aims to catalogue and research dress in Australian pre-1975.

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